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Welcome to The Tuning Note Lessons in: Piano, Trumpet, French Horn, and Jazz Improvisation |
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Welcome to The Tuning Note Lessons in: Piano, Trumpet, French Horn, and Jazz Improvisation |
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 1. Tonal and Rhythmic Principles  2. Jazz Rhythm and the Improvised Line  3. Swing and Early Progressive Piano Styles  4. Contemporary Piano Styles Section I OSCAR PETERSON 1. General 2. The (A) Form - "Stella By Starlight" 3. The (B) Form - "I Don't Stand A Ghost Of A Chance With You" 4. The Combined (A)-(B) Forms - "I Wish I Were In Love Again," in G 5. Left-Hand Major Voicing - "I'll Take Romance," in F 6. Left-Hand Dominant Voicings - "I'm In the Mood For Love," in Db 7. Left-Hand Minor Voicings - "I Get A Kick Out Of You," in Eb 8. Left-Hand Half-diminished Voicings - "You'd Be So Nice To Come Home To," in C 9. Left-Hand Diminished Voicings - Inversions - "From This Moment On," in Ab 10. Modulation - (A) and (B) Forms 11. Alternate (A) and (B) Forms - "Embraceable You," in G 12. The Altered Dominant (A) and (B) Forms - The Dominant (C) Form - "By Myself," in F 13. The Suspended Minor, Half-diminished and Diminished (A) and (B) Forms - "Better Luck Next Time," in F 14. Melodic Adjustment - (A) and (B) Forms - "Poor Butterfly," in Db 15. Right-Hand Modes with (A) and (B) Forms - "Ten Cents A Dance," in Eb 16. (A) and (B) Forms Summation - "Right As The Rain," in C Section II 17. Solo Piano (General) - "But Not For Me," in Eb 18. Root-Voicing Patterns, (A) and (B) Forms - "Be My Love," in G 19. Root-Voicing Patterns, (A) and (B) Forms - Ballad - "My Ship," in F 20. Root-Voicing Patterns, (A) and (B) Forms - Bass Fifths - "Where Are You," in G 21. Root-Voicing Patterns, (A) and (B) Forms - Minor tonality - "You're My Thrill," in D minor 22. Root-Voicing Patterns, (A) and (B) Forms - Superimposition - "This Is New," in Bb 23. Root-Voicing Patterns, (A) and (B) Forms - 8/8 time - "I Fall In Love Too Easily," in Eb 24. Root-Voicing Patterns, (A) and (B) Forms - 12/8 time - "Twelve-Bar Blues," in Bb 25. Root-Voicing Patterns, (A) and (B) Forms - Bounce Tempo Syncopation - "Rose Room,", in Ab 26. Root-Voicing Patterns, (A) and (B) Forms - Bounce Tempo Syncopation Swing Bass - "Ain't Misbehavin'," in Eb 27. Root-Voicing Patterns, (A) and (B) Forms - Up-tempo Syncopation - "The Lady Is A Tramp," in C 28. Root-Voicing Patterns, (A) and (B) Forms - Up-tempo Syncopation (without Roots) - "Limehouse Blues," in Ab 29. Root-Voicing Patterns, (A) and (B) Forms - Improvised - "Peace" in Bb 30. Scale-Tone Conversion to (A) and (B) Forjms - "I Concentrate On You," in Eb 31. "Walking Bass Lines - "You Stepped Out Of A Dream," in C 32. "Walking Bass Lines - "Blue Room," in F 33. "Walking Bass Lines - "The Way You Look Tonight," in Eb 34. "Walking Bass Lines - "Fine And Dandy," in F 35. Left-Hand Arpeggiation - The Scale-Tone Tenth Chords - Eighth-note - "We'll Be Together Again," in C 36. Left-Hand Arpeggiation (R-5-9-3-7 and reverse) - Eighth-note - "Jet," in Eb 37. Left-Hand Arpeggiation - Mixed elements - Eighth-note triplet - "Sometimes I'm Happy," in F 38. Left-Hand Arpeggiation - Mixed elements - Sixteenth-note - "It Never Entered My Mind," in F 39. Left-Hand Arpeggiation - (A) and (B) Forms and Modes - "Ruby," in C Section III 40. 'Comping (Accompanying) - "I Love You," in F 41. Turnarounds - "Down By The River" in Ab 42. Building a Bass Line - "Small Hotel," in Ab 43. Modified (A) and (B) Forms - Modern "Funky" Piano 44. Harmonic Distortion 45. The Perfect and Augmented Fourth Chord Structures 46. (A) and (B) Forms with Shearing Blocks 47. The Modal Fourths - Minor Blues 48. The Modal Fragments |
